09.22.22 - 01.08.23

Sophia-Yemisi Adeyemo: Earth & Iron: Archival Visions of Land and Struggle

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Exhibition Info

Time
Wednesday-Sunday, 11AM-6PM NOTE: Our BRIC House exhibitions will be closed Dec. 24, 2022 – Jan. 3, 2023

Featuring new work by 2021-22 BRIClab: Contemporary Artist Sophia-Yemisi Adeyemo, Earth & Iron: Archival Visions of Land and Struggle brings together past and present notions of revolution, liberation, and land sovereignty. With painted and collaged images based on early twentieth-century colonial photography taken in West Africa and the Caribbean, Adeyemo reaches into the past to envision alternative futures.

Adeyemo understands the act of painting, cutting, and pasting as an opportunity to restructure Black and Indigenous relationships to land and labor. Responding to increasingly corporatized food systems and to the ongoing exploitation of ancestral lands, her works on paper offer moments of collective resistance and restoration. Adeyemo honors the wisdom of the natural world and the long Indigenous history of communal farming, herbalist practices, and labor through careful illustrations of cacao, ginger root, collards, okra, bananas, aloe vera, kalanchoe pinnata, maize, and moringa. Men, women, and children wield daggers, machetes, and rifles, symbols of resistance and their care for one another. These scenes often extend past the picture plane, inviting viewers to consider what it means to be fierce yet gentle, to reconnect the land and body, and to exist between past and present. Restoring these ancestral practices through archival visions is, in the artist’s words, “an exercise in Black fugitivity, tenderness, and collectivity” and a meditation on what once was and what could be.

 

 

List of Works in Exhibition

Bios

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Sophia-Yemisi Adeyemo

(She/They)

Further Reading and Watching

L.A. Rebellion | Daydream Therapy (1977)

  • Daydream Therapy is set to Nina Simone’s haunting rendition of “Pirate Jenny” and concludes with Archie Shepp’s “Things Have Got to Change.”  An early student work directed at UCLA by Bernard Nicolas and submitted as his “Project One.”

The Coconut Revolution (2001)

  • This is the modern-day story of a native peoples’ remarkable victory over Western Colonial power. A Pacific island rose up in arms against giant mining corporation Rio Tinto Zinc (RTZ), and won despite a military occupation and blockade.

Edited by Hanna Garth and Ashanté M. Reese, Black Food Matters: Racial Justice in the Wake of Food Justice (2020)

  • Black Food Matters analyzes how Blackness is contested through food, differing ideas of what makes our sustenance “healthy,” and Black individuals’ own beliefs about what their cuisine should be. This comprehensive look at Black food culture and the various forms of violence that threaten the future of this cuisine centers Blackness in a field that has too often framed Black issues through a white-centric lens, offering new ways to think about access, privilege, equity, and justice.

 

Curated by BRIC Curatorial Associate Maria McCarthy, Earth & Iron: Archival Visions of Land and Struggle is Adeyemo’s first solo exhibition.

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647 Fulton St, Brooklyn, NY 11217

Venue Info

BRIC House is Brooklyn’s cultural living room: a 40,000 square foot multi-disciplinary arts and media complex where emerging and established artists can create work that deepens their practice and engages the diverse communities of the borough.

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BRIC IS COMMITTED TO WELCOMING PEOPLE OF ALL ABILITIES

The main floor of BRIC House has an accessible entrance on Rockwell Place, in addition to an accessible, all-gender bathroom. The BRIC Media Center, located on the 2nd floor, is accessible via elevator. The Gallery level is accessible via a wheelchair lift. Portable FM assistive listening devices are available for programs on the Stoop and in the Ballroom upon request. To make a specific access request, or to let us know other ways we can provide you with a welcoming experience, please contact Benno Orlinsky at [email protected] or (718) 683-5637.