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BRIClab 2026-2027 Film + TV Artists

Portrait of a person with glasses and short dreadlocks against a plain light background

Omolola Ajao

Omolola Ajao is an interdisciplinary artist working within film, video and theatre. Her work repeatedly attends to the complicative intimacies of life, metaphysical and psychological. Her recent short film, After Sunday premiered at the Toronto International Film Festival. She has held residencies & fellowships at the Whitney Museum of American Art, UnionDocs, Nightwood Theatre & more. She is a 2024-2025 Sundance Adobe Ignite Fellow. She holds a Masters of Visual Studies from the University of Toronto.

BRIClab Project: Body, Body, Body

The daily rhythms of a drop-in basement-level, boxing gym in East New York. Delving in between the constant play and performance of practiced fighting, philosophies of masculinity and a sense of continuance evoked out of everyday routine and slight conversation.

Hands holding a red apple close to the camera
Smiling person in glasses and a backward cap standing in front of a wall of mirrors and hand mirrors

Yixin Cen

Yixin Cen is a NYC-based filmmaker whose work bridges Asian American and global stories through international co-productions and community-rooted storytelling. As a producer, assistant director, and editor, she combines production expertise with a commitment to representation and cultural storytelling. Her credits include Associate Producer of the Untitled Ping Chong Documentary, supported by the Ford Foundation, Mellon Foundation, and ITVS; Field Producer of For Venida, For Kalief (Tribeca 2025); and Producer of A Father’s Son (Asian American International Film Festival). Her work with La MaMa and Chinese-American Planning Council honors immigrant histories and artistic resilience. A longtime collaborator in Chinatown, Yixin brings deep community insight and fluency in English, Cantonese, and Mandarin.

BRIClab Project: Basement Workshop

In a 1970s Chinatown basement, immigrant youth built the first Asian American arts collective and turned it into a movement. Fifty years later, its aging founders confront a neighborhood transformed by wealth and displacement, and a question with no easy answer: could it happen again?

Black-and-white group photo holding a banner reading “CHINATOWN PLANNING COUNCIL, INC.” with Chinese characters below.
Man in a green shirt taking a selfie with a city skyline at sunset behind him

Zachary Finkelstein

Zachary Finkelstein is an award winning film and video artist based in Brooklyn (Lenapehoking), New York. His projects have been supported by the New York State Council on the Arts, Brooklyn Arts Council, the Canada Council for the Arts, the National Film Board of Canada, the Ontario Arts Council, the Toronto Arts Council, and Bravo!FACT.

Zachary’s film and video work has been programmed in film festivals and curated in art galleries across North America and internationally. His work deals with themes of ecology, visualizing histories, and the confluence of science and art in film and media production.

Zachary is currently an Adjunct Assistant Professor of Film and Media production at Brooklyn College (CUNY), Pace University and The New School.

BRIClab Project: Parachute Jump

The Parachute Jump has watched over Coney Island for generations—a 262-foot steel relic of the 1939 World’s Fair that became an icon of New York’s playground. Once a thrilling amusement ride, it later served as a beacon during wartime blackouts and survived the destruction and redevelopment of the neighborhood around it. Today, illuminated against the night sky, it remains a symbol of resilience.

This film approaches the tower as both a monument to the past and an enduring presence watching over Coney Island. Shot on 16mm color film after sunset, its lattice of steel and thousands of LED lights will be transformed through vertical camera movements and in-camera animation into radiating streaks of color—a visual evocation of a rising and falling.

The filmmaker’s personal history in Coney Island anchors the work. Family memories, archival oral histories, and contemporary voices from the community will intertwine with images of the tower, creating a portrait of a place where history, memory, and dreams of a better future continue to converge.

A hand picks up a piece of patterned glass from wet sand on a beach, surrounded by seaweed, rocks, and other small debris.