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October 17, 2017 • 7:00PM

Jazz & Justice Panel Discussion

A musician playing a guitar on a small stage in front of a seated audience inside a modern indoor venue. A large screen to the right displays the text "BRIC JazzFest BROOKLYN" along with social media hashtags and logos. The audience is attentively watching the performance, with some people standing at the back. The setting has white walls, exposed ceiling pipes, and a casual atmosphere.
A large group of people seated on tiered benches in an indoor space, attentively listening to three individuals speaking at the front. The speakers are seated on chairs near a white wall, with one person holding a microphone. The audience members are diverse, some holding notebooks or pamphlets, and the setting appears to be a lecture, panel discussion, or presentation. The room has a modern, minimalist design with white walls and concrete floors.
A close-up portrait of a man with a neatly trimmed beard and mustache, wearing a dark gray flat cap and a buttoned-up dark gray shirt. The background is a plain, muted beige color. The man has a serious expression and is looking directly at the camera.
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Time
7:00 PM
Cost
FREE w/ RSVP

Event Info

As part of the BRIC JazzFest, join us for a panel discussion on the growing number of jazz elders and newcomers who are creating music that indicts, confronts and critiques, without pretending to provide easy answers. The discussion will be moderated by author and musician Greg Tate, whose writings on culture and politics have been published in The Village Voice, The New York Times, The Washington Post, Artforum, Rolling Stone, VIBE, and many others. Tate is widely praised for his groundbreaking work on music’s social, political, economic, and cultural implications.

 

Panelists include composer Samora Pinderhughes, who has created many multidisciplinary works used to examine sociopolitical issues; Imani Uzuri, vocalist and creator of Revolutionary Choir, a community singing group dedicated to preserving songs of resistance; and Brooklyn native Melvin Gibbs, who has played bass in projects ranging from Dead Prez to Caetano Veloso, and is the co-founder of innovative jazz trio Harriet Tubman.

 

General Admission: Seated/Standing. This event, including seating, is on a first-come, first-served basis. RSVPs do not guarantee entry.

 


 

Now in its third year, BRIC JazzFest includes film, dance, panel discussions, student workshops, and a three-stage, three-night live music marathon that celebrates some of the most exciting global legends in jazz, and groundbreaking new jazz artists from Brooklyn and beyond. 

 

Venue Information:

BRIC House is Brooklyn’s cultural living room: a 40,000 square foot multi-disciplinary arts and media complex in the former Strand Theatre, where emerging and established artists can create work that deepens their practice and engages the diverse communities of the borough.

Beginning Nov. 1, 2022, attendees of any BRIC House programming will no longer have to show proof of vaccination or a negative test to enter the building. Masks are encouraged but not required in all BRIC operated spaces. If you have questions regarding this protocol, please email [email protected]. For our full BRIC House COVID-19 policy, visit: https://www.bricartsmedia.org/safety.

BRIC is committed to welcoming people of all abilities. BRIC’s main entrance, located on Rockwell Street, is fully accessible. In addition the main floor of BRIC House has an accessible, all-gender bathroom. The BRIC Media Center, located on the 2nd floor, is accessible via elevator. The Gallery level is accessible via a wheelchair lift. Portable FM assistive listening devices are available for programs on the Stoop and in the Ballroom upon request. To make a specific access request, or to let us know other ways we can provide you with a welcoming experience, please contact Benno Orlinsky at [email protected] or (718) 683-5637.

 

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