Doors 6:00pm/Show 7:00pm
Join us on Fri, July 29 for a 2022 BRIC Celebrate Brooklyn! concert featuring The Beths with SASAMI and Charlotte Cornfield.
A night of screaming guitars and fearsome hooks headlined by Auckland, New Zealand’s rapturous power pop quartet The Beths, heated and compressed by the seething menace and fuzzed basslines of SASAMI, and rounded out with Charlotte Cornfield, whose nuanced songwriting and wry delivery have earned comparisons to Courtney Barnett.
*Please Note: Chairs will be available at this show, but you are also permitted to bring your own. For our d/Deaf and hard of hearing communities, we will have an ASL interpreter at the left side of the stage.
ABOUT THE ARTISTS
The Beths return with “A Real Thing,” their first new song since the release of 2020’s Jump Rope Gazers. “A Real Thing” comes as The Beths begin their long-awaited North American headline tour, which has been rescheduled twice due to the ongoing COVID-19 crisis. Last year, the band released Auckland, New Zealand, 2020, a live concert recording that showcased the infectious energy The Beths bring to every performance, and what audiences have been so dearly missing. The deep bond between Stokes, lead guitarist Jonathan Pearce, bassist Benjamin Sinclair, and drummer Tristan Deck, has allowed them to overcome challenging circumstances and that’s present in the upbeat urgency of “A Real Thing.” It’s palpable from the very start and paired with the band’s signature bright, raucous guitar hooks and cooing harmonies; the song races and soars, much like an increasing heart rate. The Beths’ infectious and insightful songwriting on “A Real Thing” is an exciting marker of more excellent work to come, and the perfect way to mark the beginning of tour.
SASAMI (Sasami Ashworth) released her second studio album, Squeeze, on February 25, 2022 on Domino Records. Squeeze hammers home a sentiment of “anti-toxic positivity” and showcases her vicious honestly and brutally uncompromising vision, partially inspired by the Japanese yōkai folk spirit called Nure-onna (translation: wet woman), a vampiric deity that has the head of a woman and the body of a snake. On Squeeze, SASAMI explores her wide spectrum of moods – from raging at systematic violence to wrestling for control in her personal relationships. Throughout, the singer-songwriter and producer surveys the raw aggression of nu-metal, tender plainspokeness of country-pop and folk rock, and dramatic romanticism of classical music.
After spending much of 2020 with her thoughts and instruments, Charlotte Cornfield knew it was time to take her new songs out of the house. She’d spent months writing a suite of evocative, autobiographical story-songs in near-solitude, and was ready for the immediate, regenerative experience of a band playing live in the studio. But this wasn’t mere pandemic-related longing. It was instead a long-simmering desire. The Canadian singer, songwriter, and multi-instrumentalist’s 2019 album The Shape of Your Name had received widespread praise, including being longlisted for the coveted Polaris Music Prize. But it was a slow solo endeavor, written alone and meticulously recorded in fits and starts over the span of a few years. She’d even played most of its instruments. It was a mode that proved fruitful, if not inauthentic to the spirit of musical community Cornfield has dedicated herself to since childhood. After coming of age amid vibrant DIY scenes in her hometown Toronto, and forming lasting bonds in the music program at Montreal’s Concordia University, for Highs in the Minuses Cornfield knew she needed a cast that was representative of her journey — those friends and colleagues who’ve helped her become the incisive, witty, and generous writer and player she is.
Please note: RSVPs are encouraged but not required. Entry is first come first served, but RSVPs help you stay up-to-date on show information. See you at #CelebrateBrooklyn!